Famous Japanese Designers Are Really Great.

Although fashion week and men's wear week in Paris always prefer native design, there are still many foreign colors.

For example, the famous Japanese designers such as Lssey Miyake and Yamamoto Teruji who entered the fashion circle of Paris since the 70s and 80s of last century are regular customers in Paris show.

In June 25th, the two brands launched the latest spring and summer series on 2016 Paris men's wear week.

Wakubo Rei's CommedesGar C ons and KENZO are also famous as Japan's big names.

However, in addition to these well-known Japanese brands this year, Watanabe Junya and Sacai, the two brands representing the new forces of Japanese fashion, also appeared in the schedule of Paris men's wear week.

Japanese fashion history expert Fukai Akiko once said: "Japan has a rich history in the use of clothing materials. Japanese designers naturally choose the fashion capital of Paris for better design evaluation."

Fashion expert Yanagisawa Shimotoko also said that in fact, only Paris could publish the fashion news, and Paris spread news to the world through buyers and fashion reporters from all over the world.

Success in Paris has become the highest standard of judging whether a designer is successful in the Japanese fashion industry.

Therefore, following the success of Lssey Miyake and other top players in Paris fashion week in 70s of last century, more and more Japanese companies have been promoted in recent decades.

Also stepped onto the world stage and developed into the backbone of Japanese fashion.

At present, Morinaga Kunihiko (KunihikoMorinaga), two Palace (KeiNinomiya), Koda Taeko (YasukoFuruta), Gaoqiao shield (JunTakahashi), Watanabe Junya (JunyaWatanabe), Abe Junichi (JunichiAbe), Abe Chito potential (ChitoseAbe) and zinson thousand li (TsumoriChisato) are the eight most attractive new designers in Japan.

Among them, the Sacai brand of Watanabe Junya and ah Qian Deng Deng boarded Paris men's wear week. It is also clear that these new designers' influence is constantly strengthening.

Of course, it also benefited from the first group of pioneers who took the lead in breaking into the world fashion circle and occupied a place in Japan in the last century, especially the "three masters" of fashion pioneers: Lssey Miyake, Yamamoto Teruji and Kawabo Kurei.

Yamamoto Teruji and Wakubo Rei jointly boarded the fashion week in Paris in 1981. The relaxed asymmetrical strange shape also shocked the conservative and depressed European fashion world.

According to BrendaPolan, the guardian's fashion editor, "before then, Paris had never seen such a black, bold and loose garment. They aroused controversy over traditional beauty, elegance and gender."

The fashion scene in the world has gone out of the Japanese trend that can not be ignored.

The three giants, known as avant-garde fashion, have had a great impact on many European designers since then.

The famous Belgian designer, "Six Gentlemen of Antwerp", was born at the time influenced by the Japanese trend and designed a lot of avant-garde style works.

And famous designers such as CalvinKlein and JilSander are also keen to apply the Japanese cut method, especially the stacking and drape technology of Yamamoto Teruji and Wakubo Rei to their own style.

In 1981, the Time also launched the three monthly cover story, "how did Japan do it?"

From the middle of the nineteenth Century, the British man became the first Paris senior woman designer, and for more than a century, the world fashion design system was ruled by European designers.

By 1920s, Paris's old fashions such as Chanel and Dior had led the development of the French fashion system, and they had become the mainstream of the fashion.

Until 70s and 80s, a group of Japanese designs with unique oriental ideas ascended the stage of Paris fashion and shook.

People monopolize the status of fashion.

Lssey Miyake is the first to claim that "form is greater than the trend," the concept is superior.

"The designer, 1965, who has been studying fashion in Paris, has always maintained the Japanese style of fashion. He did not accept the 3D stereotactic cutting which was popular in Paris at that time. Instead, he started off with two-dimensional straight lines and created irregular patterns of cascading and draping.

This kind of "no structure" that looks at the waist and straight line is contrasted with the close fitting cut of the old fashion house in Paris at that time, and opened the fashion of "Deconstruction" in the fashion world.